Indiecan Entertainment, a pivotal player in the distribution of independent films in Canada, has announced a groundbreaking initiative to focus on LGBTQ-themed movies through its new arm, Pride Pictures. This move is set to revolutionize the way international queer films are presented to North American audiences, according to Indiecan President Avi Federgreen. Federgreen expressed his enthusiasm for the project, highlighting the untapped potential of queer cinema that, until now, has been largely confined to film festivals. “There’s a plethora of outstanding films crafted by queer filmmakers across the globe that remain unseen by wider audiences,” he remarked. The launch of Pride Pictures aims to bridge this gap, ensuring these films receive the recognition they deserve.
A New Platform for Queer Voices
At the helm of acquisitions for Pride Pictures is Kirk Cooper, a seasoned programmer with extensive experience in film festivals. Cooper emphasized the inclusive vision of Pride Pictures, aiming to transcend the boundaries of the queer community and engage a broader audience. “Our mission is to provide a platform where queer films are accessible to everyone, playing a crucial role in education and entertainment,” Cooper stated. This inclusive approach comes at a critical time, suggesting films as tools for enlightenment and enjoyment in today’s climate.
Spotlight on First Releases
The inaugural films slated for distribution by Pride Pictures are “Light Light Light” from Finland and “Eudaimonia” from Canada, both set to be released this summer. “Light Light Light,” directed by Inari Niemi, is a poignant narrative that follows a young girl named Mimi who arrives in a Finnish village post-Chernobyl disaster, bringing a newfound vibrancy to 15-year-old Mariia’s life. The film revisits Mariia two decades later, as she returns to the village to care for her ailing mother, reflecting on that transformative summer. On the other hand, “Eudaimonia,” crafted by Dylan Rhys Howard, tells the tale of Prudence, a telepathic dishwasher and housecleaner who uses stolen clothing to create eccentric characters for public performances. The story delves into themes of estrangement and connection, as Prudence navigates her relationship with her terminally ill, telepathic mother.
