Luke Gilford’s debut feature, National Anthem, offers a visually striking journey into the lives of queer rodeo riders in the American southwest. Adapted from his photographic series of the same name, the film intertwines themes of love, identity, and community with breathtaking cinematography, but struggles to fully ignite its dramatic potential.
At the heart of the story is Dylan, a working-class young man played with endearing vulnerability by Charlie Plummer. Living with his alcoholic mother and younger brother, Dylan finds an unexpected haven when he joins a ranch run by LGBTQ+ individuals. His burgeoning romance with Sky, a captivating trans woman portrayed by Eve Lindley, serves as the emotional core of the film, enriched by moments of genuine tenderness and desire. Their connection, however, sparks tension within the close-knit group, particularly with Pepe, the ranch’s leader.
The film’s middle act feels like a queer utopia—a kaleidoscope of drag shows, cowboy boots, and sunlit joy. Yet, it skirts around the harsher realities of homophobia and transphobia, which remain ever-present in the American south. When conflict does arise, it often feels underdeveloped, leaving viewers craving a deeper dive into the complexities of the characters’ relationships.
Despite its narrative shortcomings, National Anthem dazzles with its aesthetic appeal. Gilford’s use of light and color transforms every frame into a visual feast, showcasing the beauty of his cast and setting. Lindley, in particular, shines with an incandescent performance that captures the spirit of resilience and love.
While National Anthem may not fully deliver on its dramatic promise, it offers a tender and visually sumptuous celebration of queer identity and chosen family. As the film lands on digital platforms, it invites audiences to embrace its message of love and acceptance, even if it leaves some questions unanswered.