TL;DR
- ‘Perfect’ features a predictable toxic romance
- Julia Fox and Ashley Moore shine but script disappoints
- Film abandons sci-fi elements for melodrama
- Sex scenes dominate the relationship narrative
- Fails to explore deeper emotional connections
In the world of indie films, where love stories often tread the same worn paths, Millicent Hailes’ debut, Perfect, attempts to carve out its own niche in the dystopian genre. However, it quickly becomes clear that this film is less about the thrilling possibilities of a post-apocalyptic world and more about the same old toxic lesbian romance we’ve seen time and time again. With Julia Fox stepping into the role of the seductive Mallory and Ashley Moore as the heartbroken vagrant Kai, the film boasts a promising cast but ultimately fails to deliver a fresh narrative.
Set in a water-scarce world where most of the precious liquid is contaminated, we follow Kai as she wanders the desolate roads in her car, a broken soul searching for connection. Enter Mallory, the enigmatic pregnant woman who draws Kai into her orbit. Their initial chemistry is palpable, and the film teases a deeper exploration of their relationship. Yet, as the plot unfolds, it becomes painfully clear that the film is more interested in showcasing steamy encounters than in delving into the emotional complexities of love.
As the two women forge a bond, the film’s post-apocalyptic backdrop fades into the background, leaving viewers with a slow-paced slice-of-life melodrama that feels all too familiar. Sure, there are moments of charm, particularly through Lío Mehiel’s performance as Sunny, the warm-hearted gas station clerk who adds a touch of humanity to Kai’s journey. But the narrative quickly devolves into a series of sex scenes set to FKA Twigs’ moody tracks, overshadowing any meaningful dialogue or emotional development.
Despite the undeniable chemistry between Fox and Moore, the script by Hailes and co-writer Kendra Miller lacks depth. The relationship between Kai and Mallory feels stagnant, with their connection primarily revolving around physical intimacy rather than any substantial emotional ties. It’s a classic case of style over substance, and even the film’s attempts to inject drama fall flat, leaving audiences with a sense of déjà vu rather than surprise.
In a landscape filled with indie lesbian romances, Perfect does little to stand out. The film plays it safe, adhering to predictable tropes and failing to engage with the rich thematic possibilities that a post-apocalyptic setting could offer. Instead, it opts for a hollow portrayal of love that leaves viewers wanting more.
So, while Julia Fox may be captivating in her role, and Ashley Moore brings a certain vulnerability to Kai, Perfect ultimately feels like a missed opportunity. It’s a reminder that even the most talented cast can’t save a film that lacks a compelling narrative. As the credits roll, you might find yourself wondering if this film is truly perfect or just another tired tale of toxic love in a broken world.
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