Long before the era of digital media, the realm of bodybuilding and physical aesthetics found a unique expression through the lens of Alonzo Hanagan, famously known as Lon of New York. Hanagan’s journey into photography began in his youth, armed with a Kodak box camera and nurtured by the skills acquired at a Boy Scout camp. His early subjects were deeply personal, often featuring his first boyfriend, Ralph Ehmke.
Breaking Boundaries in Physique Photography
As Lon matured, his photography evolved, intersecting with the burgeoning world of physique photography. This era saw him produce his first catalogue and collaborate with renowned publications, capturing the likes of John Grimek, a notable figure in the bodybuilding world. Lon’s artistic vision went beyond the norms of the time, choosing to photograph a diverse array of models, including Mediterranean, Latino, and Black American bodybuilders, breaking the monochromatic trend prevalent among his contemporaries.
His work with Frank Leight, Mr. America 1942, exemplifies his dual approach: capturing the raw, unclothed human form for his private sales catalogue, while also catering to the conservative public norms in magazines. This dichotomy was not unique to Lon; other photographers of the era, such as Al Urban, employed similar techniques, often painting posing pouches onto nude photographs to comply with the stringent postal regulations against obscene material.
A Legacy Beyond the Lens
Lon’s impact on the world of physique photography and his contribution to the LGBTQ visual narrative cannot be understated. His ability to capture the human form in its most raw and natural state, while navigating the societal constraints of his time, speaks volumes of his artistic courage and vision. The rediscovery and celebration of his work, long after his passing in 1999, is a testament to the enduring power of art to challenge, inspire, and transcend boundaries.