In the realm of subversive queer cinema, few filmmakers stand out as much as Derek Jarman. This week, we’re diving into the world of faith, martyrdom, and homoeroticism in Jarman’s 1976 feature debut, Sebastiane.
Unearthing the Hidden Homoeroticism
Sebastiane revolves around the titular character (Leonardo Treviglio), a captain of a Roman palace guard, who embraces Christianity during the height of persecution against the faith. Exiled to an island with other disgraced soldiers, Sebastian grapples with his newfound beliefs and the desires that his fellow soldiers evoke in him.
Through the use of biblical themes, war camaraderie, and the sword-and-sandal epic, Jarman brings to light the latent homoeroticism that has always been buried beneath these genres.
A Journey of Temptation and Self-Discovery
Set in a single location, the film follows Sebastian’s struggle to reconcile his inner convictions with the external world’s expectations. As he resists numerous temptations, Sebastian eventually becomes a martyr for his beliefs.
Throughout the film, the audience is treated to a visual feast of seduction, featuring muscled, tanned, scantily clad young men engaging in various activities that heighten the sexual tension.
The Power of the Male Gaze
Sebastian’s main transgression lies in observing the other soldiers without engaging in their activities. The film explores the significance of the male gaze, not just from Sebastian’s perspective but also from the other soldiers’ and the audience’s.
One memorable scene shows Sebastian watching two soldiers wrestle in slow motion, with flesh, muscles, and playful masculinity overflowing from the frame. The film challenges traditional notions of restraint and indulgence, presenting indulgence as a form of freedom.
Punishment and Kink
When Sebastian refuses to surrender his beliefs and join in the fun, he faces punishment. The film, however, presents these torturous scenes with a hint of kink reminiscent of an S&M video set up. Sebastiane offers a unique perspective on faith and desire, portraying the soldiers’ desires and actions as neither debaucherous nor villainous.
The Legacy of an Isolated Community
Sebastian ultimately dies, becoming a martyr for a religion that denied him his desires. Meanwhile, the soldiers continue their unapologetically sexual and intimate community, isolated yet strong. Sebastiane serves as a compelling exploration of faith, desire, and the complexities of the human experience, all through the lens of a groundbreaking queer filmmaker.
