In the realm of cinematic storytelling, the spotlight on LGBTQ+ representation remains dim, especially concerning the transgender community. A recent report from USC’s Annenberg Inclusion Initiative unveils the stark reality: trans individuals are still insufficiently present on the silver screen.
The study, which analyzed the 100 highest-grossing films of 2022, discloses a disheartening statistic: a staggering 80 percent of all transgender characters were concentrated in a solitary movie titled “Bros.” This singular representation underscores the need for broader and more authentic portrayals of trans experiences across the film landscape.
Further emphasizing the disparity, the report reveals that a mere 2.1 percent of named characters in the top 100 movies were LGBTQ+. This translates to a paltry count of 87 characters out of the 4,169 considered. Within this limited pool, only five characters identified as transgender, with a sixth character embracing a nonbinary identity.
“Bros,” though not a blockbuster in terms of box office revenue, achieved notable acclaim as the first major studio-released gay romantic comedy. The movie resonated positively with critics despite its financial performance, yet the industry must confront the fact that a solitary film should not shoulder the responsibility of representing an entire community.
The film industry’s struggle to adequately include LGBTQ+ individuals, as highlighted by the study’s findings, is a persistent concern. Dr. Stacy L. Smith, an author of the study, remarked that despite progress in certain areas, the lack of representation within the LGBTQ+ and disability communities indicates an ongoing reliance on practices that continue to sideline diverse voices.
As the curtain rises on 2023, the landscape for films featuring trans characters remains disappointingly bleak. The USC study underscores the urgency for change in Hollywood’s representation narrative, imploring the industry to recognize the importance of authentic and diverse storytelling.
“Bros,” a cinematic milestone as the first theatrically released gay romantic comedy, has taken strides toward representation. Despite its availability for streaming on Peacock, the struggle for inclusivity within the film industry looms large, signaling that there’s still a long journey ahead.
