In a mesmerizing display of cultural diversity and self-expression, Larrakia artist Gary Lee unveils his compelling solo exhibition, “midling (Larrakia: together),” as a prominent feature of the Darwin Festival. Situated in their residence on the fringes of a Darwin cemetery, Lee, accompanied by his partner and curator Maurice O’Riordan, curates an assortment of portraits that traverse a spectrum from playfulness to eroticism. This exhibition intricately explores themes of masculinity and beauty, refracted through the prism of Lee’s multifaceted Larrakia, Wardaman, Filipino, Chinese, Scottish, and German lineage.
Lee’s journey unfolds through snapshots of a life shaped by a multitude of experiences. From his upbringing in Darwin, where he recalls a time of unbarred freedom and unity, to embarking on the hippy trail across Asia, he eventually donned the cap of an avant-garde fashion designer, anthropologist, and artist. Amidst the extravagant backdrop of 1980s Sydney, Lee’s designs surged to prominence, entwining him with opulence and celebrity status. However, the allure of glamour couldn’t dispel the estrangement he felt from his roots and authentic self. Discontented, Lee embarked on a transformative journey, immersing himself in the world of arts and crafts, resolutely focused on grassroots engagement.
Lee’s journey took a poignant turn as he confronted the devastating AIDS epidemic that cast its shadow across Australia, especially among remote communities. As an openly gay Aboriginal man, Lee took on the role of an advocate, navigating conversations about AIDS within First Nations communities. His tenacity in dispelling misconceptions and fostering awareness was met with resilience, despite challenges. Venturing to India, Lee embarked on a remarkable photographic odyssey, capturing the subtle beauty of everyday men against the backdrop of their surroundings. His series “Nice Coloured Boys” celebrates male bodies with authenticity and respect, capturing friendship, authority, and desire.
In his ongoing exploration of cultural identity, Lee’s portraits reflect a medley of emotions and inquiries, invoking complex contemplation about the intersection of race, power, and beauty. As visitors immerse themselves in the “midling (Larrakia: together)” exhibition, they are invited to ponder the layers of representation, the dynamics of the artist’s gaze, and the subjects’ revelations before the camera. This evocative exhibition, an eloquent ode to identity and diversity, resonates profoundly with audiences, inviting them to confront and appreciate the intricacies of the human experience. “midling (Larrakia: together)” remains open for exploration at the Darwin Festival until September 9th.
