In the captivating new documentary “Kokomo City,” filmmaker D. Smith fearlessly delves into the lives of four Black transgender sex workers residing in New York City and Atlanta. Eschewing traditional filmmaking conventions, Smith artfully weaves together candid scenes of the women’s everyday rituals with dreamlike reenactments, city life panoramas, dance sequences, and illustrations, all rendered in striking black and white.
The heart of the 73-minute film lies in the unguarded conversations between Smith and her subjects. The four women share poignant insights into the joys and struggles of life as transgender individuals, as well as the perils and humor that accompany their profession. “This is survival work. This is risky s—. This is putting your life in the hands of a man that don’t know s— about you,” says Daniella Carter in one of the film’s poignant interviews.
As the documentary unfolds, the women’s engaging narratives evolve from light-hearted anecdotes to sobering tales of violence and loss. Tragically, the film’s star, Koko Da Doll, also known as Rasheeda Williams, was shot and killed in Atlanta, further underscoring the precariousness of their lives.
Smith’s unconventional path to filmmaking mirrors the resilience of her subjects. After facing homelessness due to her coming out as a transgender woman in the music industry, she embarked on this profound project. While originally intended to focus solely on New York City, circumstances led Smith to Atlanta, where she discovered Koko Da Doll, enriching the film by showcasing the shared experiences of the women across different locations.
“Kokomo City” stands as a testament to Smith’s artistic reinvention, her personal experiences resonating throughout her unique approach. With a masterful mix of aesthetics and form, the documentary offers a riveting glimpse into the lives of these black transgender women as they navigate the delicate balance between their identities and the Black community.
By daringly blending dance, abstraction, and intimate interviews, Smith creates an immersive experience that challenges cinematic norms. She navigates vulnerable territory, earning the trust of her subjects, leading to a raw and captivating portrayal of their daily lives, stripped of the usual armor.
“Kokomo City” not only sheds light on the challenging realities faced by Black transgender sex workers but also celebrates the resilience and strength within their community. Smith’s film has garnered enthusiastic critical acclaim and received prestigious awards, proving that its compelling and necessary narrative overcomes all odds.