Natalie Portman and Julianne Moore have taken center stage in the spotlight, shedding light on the “inherent queerness” woven into their characters’ dynamics in the acclaimed film May December. Directed by Todd Haynes and nominated for four Golden Globe Awards, the movie stars the two iconic actresses alongside Charles Melton, delivering a thought-provoking narrative.
The plot revolves around TV actress Elizabeth (Portman), who immerses herself in researching her upcoming role as Gracie (Moore), a woman notorious for her 23-year-long relationship with her husband Joe (Melton), which controversially began when he was just 13 and she was 36. As Elizabeth delves deeper into Gracie’s psyche, an undeniable chemistry blossoms between the two women.
In a recent interview with Attitude, Natalie Portman acknowledged the “inherent queerness” within the characters of Gracie and Elizabeth as they grapple with their shifting power dynamics. Portman remarked, “I think a lot of queerness, as far as I understand it, also has to do with stepping out of prescribed societal boundaries that are imposed upon you. Both of these women are so intent on writing their own narratives, declaring their own identity, and creating their own story. That’s really the dynamic between them – there is that inherent queerness to it.”
Julianne Moore added her perspective, emphasizing the struggle for dominance in their relationship and the use of seduction as a tactic for control. Moore stated, “It’s really a struggle for dominance. They’ll use whatever they can. I think they’re both seductive individuals too. Both very much know how to perform femininity, and one of the characteristics of performative femininity is seduction. They’re out there throwing it at each other.”
Despite the intense and emotionally charged nature of May December, some viewers have raised eyebrows at its nomination in the comedy category at this year’s Golden Globes. Charles Melton, who also received a Best Supporting Actor nomination, shared his perspective, saying, “I think filming it, it didn’t feel funny; it’s a pretty complex script. We have really no control of how the audience is going to receive what they see.”
Director Todd Haynes defended the comedy classification, highlighting the balance achieved between humor and drama in the film. Producer Pamela Koffler praised Haynes’ approach, emphasizing the blend of style, humor, control, and tension that contribute to the film’s unique storytelling.
As May December continues to captivate audiences, it remains a topic of discussion and intrigue, challenging traditional genre boundaries and inviting viewers to explore the complexities of human relationships.
May December is available for streaming on Netflix in the US and Canada and on Sky Cinema in the UK.